Reflection of my summative submission.

Since my last formative feedback point, I have been super motivated regarding my work. The last hurdle was upon me and I was ready to smash it. After gaining so much knowledge throughout my time completing the buddy system, I could put all of this to the test. My 3rd year buddy Holly, has been very helpful and has motivated me greatly. Keeping in contact, I have turned to her with any queries I have had. It has been a great and inspiring opportunity, to see into the future and grasp what is expected from me throughout my last year at CSAD.

Replying to my formative feedback, I have refined all my final designs, and sent several to be digitally printed on to fabric. I have also taken great care in choosing what fabric (jersey and cotton) and what weight of fabric was best to use. I found this very rewarding as my designs have come out very vibrant, with the perfect colours. Furthermore, using realistic fabrics has brought my design into the real world. Being able to feel them against my skin and stretch and pull them, has projected how they would look when finally made into garments.

One big aspect I took from viewing the 3rd year degree show, was how professional and refined everyone’s collections were. This forced me to sit myself down and practise mounting my work. This is a very big week point for myself, and although it took hours to perfect, I am so glad I took the time to perfect my mounting of samples, as the overall finish really made my collection shine. I was shocked, how much more professional my collection appeared after more attention to detail was given in this aspect.

Another point inspired from the 3rd year degree show, was really making the collection mine, and adding a personal touch to it all. I decided to create my own logo and collection name to place at the top of my collection. I chose not to include my own name in this logo design, as my target audience are young males, and ‘Emily Sophia’ can portray a feminine sense to the collection which I did not want. After hours of market research, I decided to name my collection ‘Rock Cod designs’ and the rest followed through. Hand illustrating my favourite picture of a Rock Cod that I came across and digitally developing it further. I am glad I decided to make this logo as I think it add a professional as well as personal touch to my work. I think it ties all my designs together and portrays my colour palette to everyone clearly.

Overall, I have thoroughly enjoyed this year and have learned so much. I have discovered and decided on a definite route to take my practise- menswear fashion textiles. I am happy to have found an area that I am very passionate about and that inspires me every day.

Lino Printing

As a development on from potato stamping, I’ve decided to explore a more refined form of printing. I have little experience when it comes to lino printing, but it’s a skill I’ve wanted to develop since my first experience

Before diving straight into carving the lino, I quickly sketched out some ideas I wanted to develop. In reflection on previous drawings, I’ve decided to explore faces of fish more, specifically fish with large/sharp teeth. These are some of the sketches I created

Deciding to go ahead with my shark image, I created my first lino print. Creating this in a dye work shop, gave me access to specialist equipment and lino printing ink. In reflection of this attempt, I’ve carved my detail to much/thickly. Leaving large white patches in my print, I do like the simplicity of my design but this made the print too simple for my liking.

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My second attempt was created at home, using a finer carving tool I could create a lot more detail through the head of the shark and create sharper more refined teeth. As I created these at home, I didn’t have access to a print roller or lino printing ink, I created this one using a wide paintbrush and acrylic paint. I used these to get an idea of the image I would create one I had access to the correct tools.

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To experiment further with paints, I created these prints using gouache paint, as this is a water based substance the paint gathered up in little splodges on the lino, when printed it gave this bubble effect on the paper which I found interesting, I think this compliments the theme and atheistic I am aiming for.

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After gaining confidence using the carving tool, I created a larger print using the side portrait of the fish for inspiration. Due to the bigger piece of lino, I could experiment with a variety of carving tools with bigger widths. Again, having to acrylic paint and paint brush to print this, I am excited to develop further and use the correct ink and rollers to create this print to reveal all the detail I carved into this piece.

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To develop my lino prints, I will re-print these using the correct ink and tools onto paper and fabric to see how they responded and re-evaluate them from there. I want to combined previous stencil like drawing and lino printing together and see how each technique will complement each other.

Journal Research- Conscious Living.

Viewpoint magazine delivers visual, editorial and statistical information to brands, designers, and agencies determined to create lifestyle products, campaigns and environments that anticipate consumer demand.

I have chosen to look at an article called Finding our better selves found in issue 36 of viewpoints collection titled Conscious Living. The article is very long and consists of many subheadings. Due to the nature of this set task, I’ve chosen to concentrate on one subheading called The Evidence.

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This article generally outlines the movement of consumers and businesses choosing purpose over profit. As we face an environmental crisis of global proportions, sustainability is no longer a simple buzzword. This article suggests the future belongs to activist brands who deliver accountability and transparency to conscious living choices.  As sustainable fashion is true passion of my own, this has taught me a great deal and help me to develop thoughts and opinions in regards to conscious living that I can take into my practise.

Making a sea change

One significant issue activist brands and consumers are consciously acting together on is the world’s ocean.  This is a great collective theme as the ocean is crucial part of the world and it belongs to everyone so everyone is responsible- the oceans health is the worst it has ever been due to over-fishing and pollution. Examples giving throughout this article of activist brands are:

Parley for the oceans

Parley for oceans are activist who organise group rallies and events over the world in regards to the oceans health. Collaborating with Adidas and designed by Alexander Taylor have created a sportswear line made from plastic salvaged from the ocean. This has given me a lot to consider in regards to progression with my designs. This progression in sustainable fashion in relation to the ocean is a great reflection of my brief and is a new research point for my project.

http://www.adidas.co.uk/parley

No fish, No nothing

Kenzo developed a clothing line in conjunction with the Blue Marine Foundation, the collection named “No Fish, No Nothing” emphasises a strong message through bold colours and prints. This relates and inspires my project as this brand produced illustrative images throughout their designs, at a much larger scale than I had ever considered. This inspires me to experiment with scale in my designs.

http://okfoc.us/kenzo/

Pantone colours

At the end of this article was a page of pantone colours, similar to mine. This gives me confidence in my own colour palette now as similar colours have been used in very successful collections with other activist brands.

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Types of Design.

Chintz

http://www.decorativefair.com/chintz
http://essenziale-hd.com/2013/04/24/textiles-glossary-home-decorating-fabrics-from-a-to-z/

Paisley

 http://all-free-download.com/free-vector/paisley-pattern.html
http://valentinaramos.blogspot.co.uk/2011/03/spoonflower-paisley-design-contest.html

Art Nouveau

https://www.123rf.com/photo_36399890_vector-set-of-vintage-art-nouveau-design-elements.html
https://uk.pinterest.com/firuzeh/art-nouveau-lithographs-paintings-design/

Toile De Jouy

http://www.lesleyteare.com/item/ljt005-toile-de-jouy-design
http://fioritointeriordesign.blogspot.co.uk/2014/09/fabric-toile-de-jouy.html

Neo-Classical

https://sites.google.com/site/artintheenlightenment/home/charicteristics-of-neoclassical-art
https://www.artsmelange.com/article/art-period-renaissance-to-neoclassicism/

Damask

http://www.designpanoply.com/individual-pattern-sets/damask-pattern-005
http://www.123rf.com/photo_8213550_vintage-damask-wallpaper.html

Calico Prints

https://www.sanderson-uk.com/shop/fabric/fabienne-prints-and-embroideries/abbeville?code=DFAB223968&act=ssocomplete
http://americanduchess.blogspot.co.uk/2014/05/buyers-guide-to-18th-century-cotton.html

Lingerie Floral

http://www.thelingerieaddict.com/2012/05/trend-alert-9-floral-print-bra-panty-sets.html
https://wheretoget.it/look/579495

Organic Textures

https://www.designtrends.com/graphic-web/textures/organic.html
https://www.designtrends.com/graphic-web/textures/organic.html

Thoughts, new ideas and aims.

Tomorrow is the beginning of part two of the subject brief. After venturing off to field the past five weeks, I am excited to get back in the mind set of thorough textile work and menswear design.

After re-reading the set subject brief and my own hypothetical design commission brief, it’s been a great way to get my mind and creative senses in gear. On reflection to my own brief I’ve decided I need to re-write some areas as my ideas and outcomes aren’t as clearly described and set out as they could be. I am happy on reflection that I stuck to the schedule I set, so I will re-make another one for this term also.

I am happy with the amount of drawing and mark-making experiments I produced last term, although I will keep adding to these as new ideas arise and to keep my mind in the “surfy”, illustrative mind set it needs to be in. To develop my drawing aspect further, I want to research closer into fish with giant teeth, I think this fish and image suits my HDCB well and the style of drawing I have previously used.

Print will be my home for the next couple of weeks as screen printing will be a main focus in regards to my designs progressing, I want to transfer some drawing I have previously created from paper to fabric through screen-printing. I also want to experiment with lino-printing and mono-printing.

To add to these drawing and designs I will create, I want to experiment with CAD as it will be interesting to discover new colour-ways in regards to my colour palette.

I want to develop and broaden my research file, to do so, I will continue to research into a variety or artists and designers that inspire my work. I want to re-visit shop areas I have previously research online into to gain a knowledge of the atmosphere in the shop and around the brands too.

As well as focussing on print-making, I want to dedicate some of my time to designing and creating forms of embroidery patches in reply to my HDCB and explore a further range of colours in regards to colour palette.

Throughout all of this, I really want my blog to flourish, by creating daily blogs posts in regards to my progress, development and inspiration.

Frame Ideas

Now I have the definite idea of hanging my sentimental jewellery with clear fishing line from the ceiling. I need to consider what I can I physically hang them from.  This is not a piece from my installation that I want any focus on. I want to enforce the illusion of my jewellery “climbing” up from the pile below, because of this I need to create something I can hide or that blends in to the background and location. Here and my first thoughts and consideration on each frame idea I created.

Metal Frame

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  • Easy to measure size and location of hanging jewellery
  • Will it be stable?
  • What size squares?
  • Preferably smaller squares so can pieces can hang closer together and there are more squares to experiment with
  • Will it need a frame?

Chicken Wire Grid

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  • Oval shaped holes- can help with placement of pieces
  • Cheap and easy to get hold of
  • Easy to mould into shapes
  • Will it stay flat?
  • Hard to shape into a square frame-would need an outside frame

Metal Frame

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  • Matches frame work along walls and ceilings in un
  • Matches metal grid
  • Where to get hold of metal piping to create frame?
  • Holds shape well/very presice
  • How to shape frame?
  • May attract attention to grid

Wooden Frame

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  • Holds shape of wire well
  • Easy to get hold of
  • Easy to build
  • Wood doesn’t match wire/metal grid
  • Stands out a lot, may distract from hanging piece.

Following these consideration, I went exploring around university to see what I could find and use for this idea. I was very lucky and found the perfect frame to create my grid. This squared metal wire, has small squares and can be easily moulded so, will be easy to flatten and measure in my grids size once decided. I will use this grid in my final piece, I couldn’t have found anything better.

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On my journey, I also found a possible metal pole that could be used as an outer frame. This was left over from the builders when they art block was done over so it matches perfectly to the poling around the walls and ceiling of university.

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Knowing nothing about how to mould metal, I then took my pole on a visit to Dallas in the metal workshop. He suggestion several ways I to mould my pole in my frame such as bending the metal and cutting it to size then welding it back together. I now need to consider if to use this pole as an outer frame and if so how I am going to mould it into shape.

I can now sketch up and idea of how and where I want to hang my jewellery as I know how I am hanging them.

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Closer Look at my Sentimental Jewellery

As my tin was bursting with pieces, I took a close look and sieve through and chose my favourite pieces. These were pieces that caught my eye the most and ones I knew the background stories behind the most, after previous being told many from my grandmother.

Created little quick sketches of these, this helped me to get to know the shapes including throughout the pieces as well as how they hung and felt as I hung them in my fingers. Also, holding these pieces up to the sunlight, I could see how they caught they light and each reflected it differently.

I now feel a lot more confident in how these pieces of jewellery feel and properties they have and portray. My next step is to experiment with hanging them So I can get the shapes I want to create captured perfectly.